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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">atu</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник Алматинского технологического университета</journal-title><trans-title-group xml:lang="en"><trans-title>The Journal of Almaty Technological University</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2304-568X</issn><issn pub-type="epub">2710-0839</issn><publisher><publisher-name>АО "АТУ"</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.48184/2304-568X-2026-1-233-240</article-id><article-id custom-type="elpub" pub-id-type="custom">atu-2871</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ТЕХНОЛОГИЯ ТЕКСТИЛЯ И ОДЕЖДЫ, ДИЗАЙН</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>TEXTILE AND CLOTHING TECHNOLOGY, DESIGN</subject></subj-group></article-categories><title-group><article-title>Теоретические основы производства женских изделий классического стиля</article-title><trans-title-group xml:lang="en"><trans-title>Theoretical foundations of the production of women’s classical-style garments</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0009-0004-8045-4201</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Хакимжонов</surname><given-names>И. Ш.</given-names></name><name name-style="western" xml:lang="en"><surname>Khakimjonov</surname><given-names>I. S.</given-names></name></name-alternatives><bio xml:lang="ru"><p> 160107, Наманган, ул. Бобуршох 161 </p></bio><bio xml:lang="en"><p> 160107, Namangan, Boburshokh str., 161 </p></bio><email xlink:type="simple">islomsu25@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0009-0009-8786-0196</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Хасанова</surname><given-names>М. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Hasanova</surname><given-names>M. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p> 160107, Наманган, ул. Бобуршох 161 </p></bio><bio xml:lang="en"><p> 160107, Namangan, Boburshokh str., 161 </p></bio><email xlink:type="simple">a2555909@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Наманганский государственный технический университет<country>Узбекистан</country></aff><aff xml:lang="en">Namangan State Technical University<country>Uzbekistan</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2026</year></pub-date><pub-date pub-type="epub"><day>21</day><month>03</month><year>2026</year></pub-date><volume>151</volume><issue>1</issue><fpage>233</fpage><lpage>240</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Хакимжонов И.Ш., Хасанова М.А., 2026</copyright-statement><copyright-year>2026</copyright-year><copyright-holder xml:lang="ru">Хакимжонов И.Ш., Хасанова М.А.</copyright-holder><copyright-holder xml:lang="en">Khakimjonov I.S., Hasanova M.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://atu.ejournal.kz/jour/article/view/2871">https://atu.ejournal.kz/jour/article/view/2871</self-uri><abstract><p>В данном исследовании рассматриваются теоретические и практические основы дизайна и производства классической женской одежды в рамках концепции устойчивого развития и современных технологических инноваций. В эпоху доминирования быстрой моды и быстро меняющихся трендов классический стиль остается символом стабильности, культурной преемственности и утонченного вкуса. Однако отсутствие системного, научно обоснованного подхода к его созданию привело к несогласованности в дизайне и качестве. В исследовании разрабатывается трехмерная теоретическая модель, объединяющая историко-каноническое, эстетико-функциональное и технологическо-техническое измерения в единую методологическую систему. С помощью историко-типологического, стилистического и сравнительного анализов в работе изучается практика ведущих международных брендов — Max Mara, Dior, Chanel и Zara — в период с 2021 по 2025 год. Эмпирические данные, полученные из корпоративных отчетов об устойчивом развитии, дизайнерских архивов и отраслевых баз данных, раскрывают, как классическая эстетика сочетается с технологической точностью и принципами устойчивого развития. Результаты показывают, что сохранение классического канона зависит от интеграции трех ключевых факторов: исторической преемственности, эстетической гармонии и технологического прогресса. Люксовые бренды, такие как Max Mara, Dior и Chanel, являются примером такого баланса, достигая долговечности и качества благодаря мастерству и инновациям, в то время как Zara представляет адаптивную модель «массового классицизма», подходящую для сегмента быстрой моды. Предложенная модель представляет собой структурированную основу для современной теории дизайна одежды и предлагает практические решения для устойчивого производства высококачественных изделий. Она подтверждает актуальность классического стиля как вневременной, этичной и технологически адаптивной системы в современной моде.</p></abstract><trans-abstract xml:lang="en"><p>The study investigates the theoretical and practical foundations of classical women’s fashion design and production, positioning it within the framework of sustainability and modern technological innovation. In an era dominated by fast fashion and rapidly shifting trends, the classical style remains a symbol of stability, cultural continuity, and refined taste. However, the absence of a systematic, science-based approach to its creation has led to inconsistencies in design and quality. The research develops a Three-Dimensional Theoretical Model that unites historical-canonical, aesthetic-functional, and technological-technical dimensions into a coherent methodological system. Through historical-typological, stylistic, and comparative analyses, the study explores the practices of leading international brands—Max Mara, Dior, Chanel, and Zara—between 2021 and 2025. Empirical data derived from corporate sustainability reports, design archives, and industry databases reveal how classical aesthetics align with technological precision and sustainability principles. The findings demonstrate that the preservation of the classical canon depends on the integration of three key factors: historical continuity, aesthetic harmony, and technological advancement. Luxury brands such as Max Mara, Dior, and Chanel exemplify this balance, achieving longevity and quality through craftsmanship and innovation, while Zara represents an adaptive “mass classicism” model suited to the fast-fashion segment. The proposed model provides a structured foundation for contemporary fashion design theory and offers practical applications for sustainable, high-quality garment production. It reaffirms the classical style’s relevance as a timeless, ethical, and technologically adaptive system in modern fashion.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>классический стиль</kwd><kwd>женская мода</kwd><kwd>устойчивый дизайн</kwd><kwd>теоретическая модель</kwd><kwd>историко-канонический анализ</kwd><kwd>эстетико-функциональный дизайн</kwd><kwd>технологические инновации</kwd><kwd>сравнение брендов</kwd><kwd>Max Mara</kwd><kwd>Dior</kwd><kwd>Chanel</kwd><kwd>Zara</kwd><kwd>устойчивость моды</kwd><kwd>обеспечение качества</kwd></kwd-group><kwd-group xml:lang="en"><kwd>classical style</kwd><kwd>women’s fashion</kwd><kwd>sustainable design</kwd><kwd>theoretical model</kwd><kwd>historicalcanonical analysis</kwd><kwd>aesthetic-functional design</kwd><kwd>technological innovation</kwd><kwd>brand comparison</kwd><kwd>Max Mara</kwd><kwd>Dior</kwd><kwd>Chanel</kwd><kwd>Zara</kwd><kwd>fashion sustainability</kwd><kwd>quality assurance</kwd><kwd>timeless design</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Khakimjonov, I. 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